Are Blue Öyster Cult Rock’s Most Barking Mad Band (Or Just The Shortest?)

Blue Oyster Cult's Secret Treaties Album
Blue Oyster Cult‘s Secret Treaties Album

In my last article, I introduced you to some of Rock’s Greatest Song Titles – all by Blue Oyster Cult.

1988’s Imaginos was my first full BÖC album – an entirely bonkers concept album about… I have no idea – twenty five years later. It’s proper barking. We’re talking Katie Price levels of madness here. I read the sleeve notes and quite a reasonable explanation on Wikipedia. It’s still a mystery, and I’m not sure I have the patience or inclination to find out more. The eyes glaze over and the brow furrows somewhat when sci-fi concept albums get wheeled out I’m afraid. Picture in your mind a sheep that has just had it’s wallet stolen and you’ll have a decent idea of the look on my face. (It’s time travel, vampires, Dracula – basically a mix of The Time Traveller’s Wife and Twilight, but not awful).

After a friend lent me the superb single-live album Some Enchanted Evening, I then truffled through Blue Öyster Cult’s back catalogue like a famished pig.

There is much to love – in the first four studio albums in particular – but I thought I would highlight my favourite two records for the first time listener. One is a gentle song for the Django Django lovers amongst you, the other turns up the volume a bit.

Blue Öyster Cult’s Then Came The Last Days of May is one of my favourite songs and is a great example of a BÖC song. It conjures up an Ennio Morricone film. From their first album, it is sad, wistful and quite beautiful. I can picture Neil Young singing it…

The opening line sets the scene: Parched sand on desert land / The sun is just a dot…

It goes on – like a murder ballad – to tell the story of three friends who are killed when a drug deal turns bad.

Outside of BÖC’s fan base, and particularly in the UK, this song appears practically unknown. What a pity.

The second song to recommend is Dominance and Submission – a song that is either about the loss of innocence in America when the British Invasion brought new sounds across the Atlantic, or a very sordid tale of a brother and sister doing things that brothers and sisters ought not to be doing. The fact that no-one is entirely sure which of these two explanations is correct tells you something. I’m not sure what exactly, mind you.

The album Secret Treaties is probably BÖC’s best, and Dominance and Submission is my favourite track off what is a truly classic record.

From the opening lines of Career of Evil (co-written by Patti Smith) to Subhuman and then on to Dominance and Submission this is clearly a record of joyful loopiness and rather odd imagery. It all ends with Astronomy – BÖC’s Stairway To Heaven if you will (and covered lamentably by Metallica) – but do take a listen to Dominance and Submission – it’s a corker…

Well – I think I have lauded BÖC enough to hopefully make you want to listen to one of their records. Let’s get back to the deriding…

The other thing to know about Blue Öyster Cult is that, despite the aggressive, macho, rock n roll leather-and-studs image they cultivated, they are apparently somewhat diminutive.

This is best explained in Tony Tyler‘s book I Hate Rock n Roll. Tyler was a former assistant editor of the NME (and co-author of The Beatles: An Illustrated Record) and the book is a hilarious prod in the ribs of the pomposity of rock. There’s a great anecdote in there about Bryan Ferry dressing as a Gaucho which is reminiscent of Noel Gallagher‘s description of Jack White looking like “Zorro on Doughnuts” but I won’t spoil it for you…

Tyler’s observation about Blue Öyster Cult’s physical stature highlights the contrast between image and physical presence:

“It’s an odd thing when you come to think of it” he says, “Here we have a group whose themes are relentlessly masculine, phallic and powerful…and yet all five are so conspicuously restricted in growth that they are commonly known, among the more cynical hacks, you understand, as “Happy”, “Dozy”, “Barmy”, “Turgid” and “Stupid”.

Tyler goes on to describe when a colleague, himself very short, and a fan of the band, came back from an interview with them “radiant with pleasure. All five of his interviewees had been shorter than him!”

“How must it be for the simple punter…who one of their concerts…as five menacing midgets stalk moodily from the wings, don enormous guitars whose dimensions only serve to underscore their own and then launch into machismo motifs at high volume?”

Brilliant stuff. I strongly recommend you buy the book.

I Hate Rock n Roll Tony Tyler

I saw BÖC in ’89 – at Hammersmith Odeon. I was very impressed – they had a real musicality to them and their songs combine everything that’s good about rock music with an almost orchestral construction at times. They shared vocals – a rarity in a genre where a Golden God lead singer rules the roost – and sounded great.

And for the record I failed to notice their diminutive stature. Albeit I was watching from the balcony…

Record #128: Blue Oyster Cult – Dominance and Submission


19 responses to “Are Blue Öyster Cult Rock’s Most Barking Mad Band (Or Just The Shortest?)”

  1. mikeladano Avatar

    Been waiting for this part. I have always loved the album cover for Secret Treaties by the way, with that ME262 sketch. Just bad ass!

    Who wrote these kooky lyrics? Eric Bloom?


    1. Every Record Tells A Story Avatar

      Sandy Pearlman write the lyrics – the band’s manager and writer for Crawdaddy magazine (see previous post). I found a quote from Pearlman that talks about the song reflecting how rock n roll changed things in America. It’s a great song.


      1. mikeladano Avatar

        It has to be a rare thing in rock when the manager writes lyrics. I’m struggling to think of another example within rock music.


      2. Every Record Tells A Story Avatar

        Blue Öyster Cult and most boy bands are probably the only ones that come to mind.
        There were plenty of examples of old bluesmen finding out that their manager had a writing credit when their records were released but I don’t think they necessarily had anything to do with the songs….


      3. mikeladano Avatar

        True on both counts.

        Either way the lyrics and titles certainly were unique. The first BOC song I ever heard was “Veteran of 1000 Psychic Wars” and I just thought, “Wow, what a weird title.” It certainly created imagery. And clearly that was one of the more NORMAL titles.


      4. Every Record Tells A Story Avatar

        Yes – I heard that one fairly early on also. Good tune.


  2. Heavy Metal Overload Avatar

    Loved this. The first four records are just stunning. Totally agree with your song selections although the whole “Secret Treaties” album is just perfect for first time listeners. You’ve got “Astronomy” on there for any Metallica fans that want to go back to the source.

    Of the later albums I love “Fire of Unknown Origin” and “Imaginos” especially.

    They weren’t just strange because they were short either… their image was pretty eccentric. Biker Bloom and Buck in his sharp suits.


    1. Every Record Tells A Story Avatar

      Not much I can add to that! I do think the early records (first four) were something very special.


      1. Heavy Metal Overload Avatar

        I meant to say I think they continued the run with “Spectres” as well. That’s a great album too… “Godzilla” is on there of course and “Fireworks” is an underrated gem. I adore that song.


      2. Every Record Tells A Story Avatar

        RU Ready 2 Rock and Godzilla are great aren’t they? They were also on Some Enchanted Evening. Nosferatu was a great song also. I’ll have to put on Fireworks to remind myself of that one…


      3. Heavy Metal Overload Avatar

        I Love the Night is a great tune too… I’m going to have to put that album on now too.


  3. Defending Axl Rose Avatar

    I love that you’re doing a series on BOC. I really hope you have a few more of these coming. I’m not familiar with much of the band’s work outside of the singles, which is something I’m looking to fix later this week.

    I’ve never been a very big fan of concept/story albums because, quite frankly, the story part almost never works.


    1. Every Record Tells A Story Avatar

      I have just written the two pieces for now – but glad you liked them. Perhaps there will be scope to revisit before too long.
      I listened to that Ghost album that you recommended, and then played Tyranny and Mutation straight after. Probably a mistake, as the BÖC record just shone through!


  4. mikeslayen Avatar

    Nice to see BOC get a little love. They were never one of my favs but always very musical good rock band! Some Enchanted Evening was my first BOC album. They definitely got pigeonholed after the SNL skit for sure…maybe even had a resurgence thanks to the skit.


  5. John S Avatar

    I recall at school there was a live album we all liked. Can’t remember its name and too lazy to look up! And of course Don’t Fear The Reaper was good.


    1. Every Record Tells A Story Avatar

      On Your Feet and On Your knees was the double live one. Single live was Some Enchanted Evening. Later on came Extra Terrestrial Live. And I didn’t even check that on Wikipedia. I’m such a geek.


      1. John S Avatar

        Impressive! “On Your feet’ is the one.


  6. Noise-some Notes – A Fortnight in Listening 10th December 2012 « HEAVY METAL OVERLOAD Avatar

    […] Blue Öyster Cult – Spectres Superb and overlooked album from the mighty BÖC. Every Record Tells a Story did a couple of great posts about them recently which inspired me to revisit this one. You can check the posts out here and here! […]


  7. […] up to date with Swedish indie from The Amazing, indie-Prog from Field Music, classic rock from BOC and Beach Boys, another great Beatles cover from Doris Troy, a Dylan cover from Solomon Burke, […]


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