The Flaming Lips Play “The Most Important Show Ever” – Live at Camden Roundhouse


"Like a hairy Scott Tracey on a space-octopus strewn knoll"
“Like a hairy Scott Tracey on a space-octopus strewn knoll”

The most important show ever? Well – actually that’s just a “sacred obligation” between Flaming Lips front man Wayne Coyne and last night’s audience at The Camden Roundhouse, where the Lips played last night. Let me explain…

It had been a tough couple of days for The Flaming Lips. First, they postponed Monday’s Roundhouse gig, giving the intriguingly vague reason of “illness”. “What was the matter?” we wondered. Did the effects of dripping their own blood into their vinyl records finally come home to roost? Did Steve Drozd suffer another (ahem) “spider bite”? Or did they just listen to the all-encompassing bleakness of latest LP “The Terror” and suffer a fit of depression? (Actually the reason was clear from last night’s show: Coyne had a very bad cold).

Then, shortly after they postponed the gig came the news of the tornado that hit their home city of Oklahoma and the resulting loss of life. Suddenly Everything Has Changed.

Wayne Coyne The Flaming Lips live at Camden

In the midst of such worrying matters you could forgive The Flaming Lips for cancelling another show. It’s just music. Trivial… But music is also cathartic. And it has always had the power to bring people together when times are hard.

Wayne Coyne in confetti Flaming Lips
Confetti! Yes!

Wayne Coyne began last night’s show with a monologue to put the show into context. Resembling a rather fey and long haired Scott Tracey in an electric blue suit and standing on top of a rather futuristic space-octopus-strewn knoll in the middle of the stage he began by explaining how he had heard about the events in his hometown:

“Whenever you hear about some kids being trapped in a school you think “Oh jeez, how bad can it be?” (but) I think as it got later in the night here, we started to get word of how bad it really was. Being sick and all this (show) then starts to seem kind of petty and I don’t mean to demean this thing that we’re doing here at all, but sometimes things just happen in the world and it makes you realise in the best sense this isn’t that important.

“Music is important because it can get into you and be your friend: when you’re scared and you don’t know what will happen and you’re thinking about your child stuck under some rubble and wondering… music sometimes is the only thing you have. But when we do shows we realise that this is kind of a ridiculous event and it is not important. I would not want anybody to think that if anybody were involved, if one of our crew had somebody there that needed our help, we wouldn’t stop everything we were doing and  help them.

“We’re very lucky. We absolutely love being here. This is what we dream to do – but when something like (the tornado) happens you realise this is just a silly show….

But…since we’re here….. and this is what you do when you can’t do anything else…and as far as we can tell all hope that could be amassed in South Oklahoma city is there….

“We’ll all come back on, and we will say quietly that we know this is not important. But if anyone asks you afterwards, and heard the “Flaming Lips had to cancel a show? What’s that about?” You say “Dude, you missed the most important show the world has ever seen”.

And after that little speech – what else can you do but enjoy the show?

Wayne Coyne of The Flaming Lips

I was curious how the part ambient, part Krautrock, part sheer-crazy sounds of new album “The Terror” would translate live. I didn’t have long to wait: The Flaming Lips played almost every song from the new album, beginning with “Look…The Sun Is Rising”, and title track “The Terror”. These new songs came to life in a live setting, helped by a dynamic approach from the band, and drummer Kliph Scurlock in particular, and the odd sixty thousand watts of power. For those who like the sing-a-long stuff (and who doesn’t?) The Flaming Lips had a few tricks up their sleeves also, starting with “The W.A.N.D.” and digging out deeper Yoshimi cuts like “All We Have Is Now”. Even a couple of Embryonic tunes popped up in the two hour show.

Wayne Coyne with torch The Flaming Lips The Terror Steven Drozd

Of the new material, “Try To Explain” stood out as one that might stay on the set list for many a tour – very powerful. Coyne meanwhile was battling with his voice. “I Can Do It!” he exclaimed before a slowed down version of “Race For The Prize” – another highlight of the set.

Yoshimi classic “One More Robot / Sympathy 3000-21″ warmed the crowd up for a huge cover of David Bowie’s ” Heroes” which just rocked – an amazing moment.

Steven Drozd of The Flaming Lips
Steven Drozd of The Flaming Lips

After a snippet from Zaireeka, Coyne succumbed to a coughing fit midway through “Do You Realise“. The crowd just raised their voices and sang for him. A still obviously ill Coyne appealed to our better natures, claiming that as he may not be the most technically brilliant singer even on a good day, we surely would be reasonably forgiving if he missed a few notes? Given he has never been the most acrobatic of vocalists, I didn’t hear anyone complain.

Wayne spins a light over his knows why - it just looks pretty...
Wayne spins a light over his head…no-one knows why – it just looks pretty…

As the set closed with “Always There In Our Hearts” and (joy of joys) a confetti cannon, Coyne could consider – with tongue firmly in cheek – that he had fulfilled his “sacred obligation” that this show was “the most important show we had ever seen”. In the context of what else was going on in the world, it’s all nonsense, but last night it was just fine, guys…welcome back to the UK. And get well soon, Wayne.

..Wayne holds a baby doll. Honest, it's perfectly normal...
..Wayne holds a baby doll. Honest, it’s perfectly normal…

Last night’s set list:

Look…The Sun Is Rising
The Terror
The W.A.N.D.
Virgo Self-Esteem Broadcast
Silver Trembling Hands
Try to Explain
Race for the Prize
Butterfly, How Long It Takes to Die
You Lust
One More Robot / Sympathy 3000-21
Riding to Work in the Year 2025 (You’re Invisible Now)
Turning Violent
Do You Realize??
All We Have Is Now 
Always There, In Our Hearts

Record #193: The Flaming Lips – Always There, In Our Hearts






5 responses to “The Flaming Lips Play “The Most Important Show Ever” – Live at Camden Roundhouse”

  1. Avatar

    Such great photos…
    Thanks for this!


  2. ianbalentine Avatar

    Sounds like an amazing show. The F’Lips have been one of my favorite bands and I have loved most everything they have done since Transmissions…but I have to admit I do not dig the new one, The Terror. Sounds like their version of Metal Machine Music to me. Listening to it, I thought, “4 years for this?” Seemed like an insult, or a big “FU” to the fans. I’m all for weird, experimental, moody and ambient…but what about the songs? I miss the songs, man! And while some of you may think I’ve missed the point of the thing (it being a singular piece, a statement album, etc), well maybe I have. But…but that doesn’t mean I’m gonna burn my cherished copies of Embryonic and Yoshimi, no. I’ll even give The Terror another chance, perhaps in the bleak wintry months of January next year.


    1. Every Record Tells A Story Avatar

      Everyone I have talked to about the album has said something similar. It’s a challenging album to listen to. Hearing the songs live was great however. It must be like when Bowie’s Low came out – quite a difference of approach. I don’t love it the way I love Yoshimi or The Soft Bulletin.


  3. lpon45 Avatar

    This is a great post. I’m a total neophyte when it comes to the Flaming Lips – although I’ve always thought Wayne Coyne was kinda cute – I admire how the band connects to its audience. Especially when the world is going batshit crazy in ways we can and can’t control, we can still come together and sing. Gotta have hope while that still continues.


    1. Every Record Tells A Story Avatar

      I like the fact that they are a positive band – even when they play what is a pretty bleak album.


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